Dada, Surrealism, War and its Aftermath 1935-1955

The Artists’ books in this gallery reflect the creativity and optimism of publishers, such as Ambroise Vollard, Albert Skira, and Tériade who, both before and after World War II, created ambitious and complex volumes with some of the greatest artists of the era. In contrast, however, the content of a number of books reflects the period of the 1930s and 1940s as a time of economic depression and a world war, followed by an uneasy peace. The variety of materials used in the construction of the books, from the simplest pamphlet clandestinely made in Paris under the occupying noses of the Nazis to luxurious volumes where no expense was spared, display their individuality and idiosyncratic nature during this period.

Untitled, in the leaflet Progression Mythologique de Victor

Drawing in black ink and gouche (color) on cotton/linen cloth.

Les Âmes mortes (Dead Souls) by Nicolas Gogol

Book in two volumes with 118 etchings total (some with drypoint) on Arches wove paper watermarked “Les Ames Mortes”.

Les Âmes mortes (Dead Souls) vol 2 of 2

Book in two volumes with 118 etchings total (some with drypoint) on Arches wove paper watermarked “Les Ames Mortes”.

Florilège des amours de Ronsard

Book with 128 lithographs in sanguine on Arches wove paper; loose in wrappers, lithograph by Matisse on the cover with the title in black.

Le Soleil des eaux: Spectable pour une toile des pêcheurs

Book with 4 etchings (1 in color) on du Marais wove paper loose in wrappers; paper covered (grey/blue) chemise with lettering on the spine; paper covered.

The Surrealism Gallery

A portrait of Ambroise Vollard,  behind a stack of books

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