Dada, Surrealism, War and its Aftermath 1935-1955

The Artists’ books in this gallery reflect the creativity and optimism of publishers, such as Ambroise Vollard, Albert Skira, and Tériade who, both before and after World War II, created ambitious and complex volumes with some of the greatest artists of the era. In contrast, however, the content of a number of books reflects the period of the 1930s and 1940s as a time of economic depression and a world war, followed by an uneasy peace. The variety of materials used in the construction of the books, from the simplest pamphlet clandestinely made in Paris under the occupying noses of the Nazis to luxurious volumes where no expense was spared, display their individuality and idiosyncratic nature during this period.

Les Fleurs du Mal by Charles Baudelaire

Book with 34 illustrations total: 1 etching (on China paper), 33 photolithographs, and 69 woodcuts (letters and decorations) on Rives wove paper.

Repli by André Rouveyre

Book with 31 illustrations total: 1 pochoir (color) on cream wove paper, 6 linocuts (2 color) on Montval wove paper, 12 lithographs.

Du cubisme by Albert Gleizes and Jean Metzinger

Book with 11 illustrations total: 4 engravings, 4 drypoints, 2 aquatints, and 1 etching; loose in wove wrappers with lettering on the front cover.

Progression Mythologique de Victor

Leaflet with 2 original drawings:1 in black ink and gouche (color) on cotton/linen cloth; 1 (black/red) on the cover of the folder.

Cover for the folder holding the leaflet Progression Mythologique de Victor

Drawing (color) on Arches paper folder embossed with a stamp: “VERITABLE PAPIER D'ARCHES TORCHON”.

The Surrealism Gallery

A portrait of Ambroise Vollard,  behind a stack of books

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