Dada, Surrealism, War and its Aftermath 1935-1955
The Artists’ books in this gallery reflect the creativity and optimism of publishers, such as Ambroise Vollard, Albert Skira, and Tériade who, both before and after World War II, created ambitious and complex volumes with some of the greatest artists of the era. In contrast, however, the content of a number of books reflects the period of the 1930s and 1940s as a time of economic depression and a world war, followed by an uneasy peace. The variety of materials used in the construction of the books, from the simplest pamphlet clandestinely made in Paris under the occupying noses of the Nazis to luxurious volumes where no expense was spared, display their individuality and idiosyncratic nature during this period.
Solidarité (Solidarity) by Paul Eluard
Book with 7 engravings and etchings on Montval laid paper; loose in grey laid paper-covered boards with black cloth spine and tie-strings.
Fraternity by Stephen Spender
Book with 10 engravings on Montval hand-made cream laid paper; loose in protective boards covered with green paper; matching slipcase.
Het Vlas (The Flax)
Book with 10 screen prints (color) on cream colored paper; bound in cream wrapper with black lettering on cover.